C Ionian C D E F G A B C Major
C Dorian C D Eb F G A Bb Bb Major
C Phrygian C Db Eb F G Ab Bb Ab Major
C Lydian C D E F# G A B G Major
C Mixolydian C D E F G A Bb F Major
C Aeolian C D Eb F G Ab Bb Eb Major
C Locrian C Db Eb F Gb Ab Bb Db Major
Since C Ionian has no altered notes, we can use that as a very nice baseline
Ionian - No Changes
Dorian - b3 b7
Phrygian - b2, b3, b6, b7
Lydian - #4
Mixolydian - b7
Aeolian - b3, b6, b7
Locrian - b2, b3, b5, b6, b7
So if we simply apply this formula to a major/ionian scale, we transform it into that mode.
Monday, January 19, 2009
Learning Modes - Some formulas
Once you start getting the idea of modes, one of the easiest ways to deal with them is knowing how they are spelled relative to their ionian version. We can Use the key of C as a great example.
Labels:
Music,
Music Theory,
Reference
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