First take a look at this slightly confusing table.
Mode | Tonality | Steps Down | 1/2 Steps Down | Interval Down | 1/2 Steps Up | Interval Up |
Ionian (Major) | Major | 0/12 | Unison/Octave | 12/0 | Unison/Octave | |
Dorian | Minor | W | 2 | Major 2nd | 10 | Minor 7th |
Phrygian | Minor | WW | 4 | Major 3rd | 8 | Minor 6th |
Lydian | Major | WWH | 5 | Perfect 4th | 7 | Perfect 5th |
Mixolydian | Major / Dom | WWHW | 7 | Perfect 5th | 5 | Perfect 4th |
Aeolian (Minor) | Minor | WWHWW | 9 | Major 6th | 3 | Minor 3rd |
Locrian | Diminished | WWHWWW | 11 | Major 7th | 1 | Minor 2nd |
(Ionian) | Major | WWHWWWH | 12/0 | Unison/Octave | 0/12 | Unison/Octave |
If you look at this chart you will get a quick reference to where you will find the scale you are needing.
Lets take a example:
Say we are playing a G major chord, we have 3 mode options that might sound good with it. Ionian, Lydian and Mixolydian since they are the 3 "major" tonality modes (that is the 3rd is a major 3rd in the mode). So how do we get to G Ionian, G Lydian and G Mixolydian? I always have an easier time going up an interval rather than down so in the chart above, I have converted the intervals down from the WWHWWWH pattern we talked about in the previous article to ascending intervals.
- G Ionian = G Major, since Ionian = Major
- G Lydian is the major scale starting a perfect 5th above the scale in question. So a perfect 5th above G is D. So G Lydian = D Major
- G Mixolydian is the major scale starting a Perfect 4th above the note in question which is C, so G Mixolydian = C Major.
- A minor 7th above F is Eb. Eb Major is F dorian
- A minor 6th above F is Db.Db Major is F Phrygian
- A minor 3rd above F is Ab. Ab Major is F Aeolian
So now we can grab a mode from a given chord.
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